Post by lumina on Jul 19, 2017 11:11:42 GMT
I am going to copy myself - if Andrew Lloyd Webber can do it and get away with it, so can I.
I know we`ve probably all heard to use conjunction, opposition, square (and sometimes semisquare and sesisquare) with midpoints. And they may ALL be fitting. (for example I have Moon square Mercury/Pluto and Venus square Sun/Saturn - and yes I definitely think I feel it).
However if we are thinking a bit more closely about it, squares in this model are not real midpoints - they are aspects to midpoints, or actually some form of watered down midpoint themselves, as they are at the midpoint of a midpoint axis.
Confused?
What I mean is this.
in a circle there are always two midpoints, the near and the far one.
For my Sun on 26 Sagittarius and Saturn on 17 Cancer
the near midpoint: 6 Libra
the far midpoint: 6 Aries
my Venus is on 6 Capricorn, hence Venus is squaring the midpoint of my Sun/Saturn, and at the same time at the midpoint of that Sun/Saturn-axis (from 6 Libra-6 Aries) herself.
HOwever that is already like the 2nd level of midpoints already, and with the square to the original midpoint, even though these aspects are usually treated equal, I am doubtful they are. I mean a conjunction is NOT the same as a square, right? And if we have an aspect to a midpoint by square, that might have a bit of a different meaning (maybe instead of a sense of fusion, you feel like your being hit sideways by someone else`s planet; there is potentially more tension inherent in this, which does not need to be a bad thing.)
I disgress though, as I rather want to talk about direct midpoints; these are the ones made by conjunction or opposition (the near and far midpoints), and frankly the only REAL midpoints between planet, at least real direct midpoints.
Most astrologers claim that direct midpoints are "more meaningful" (I think they mean, they are more "noteable" ) than indirect ones (if there are squares and esp. semisquares or sesisquare to a midpoint).
Robert Hand in his book on astrology symbols was recommending to use at least the direct midpoints for a chart analysis, as they are "just as meaningful/potent as major aspects".
He uses the same orb as I like to do with direct midpoints which made me happy to see. lol
1,5° - in the case of direct midpoints I am a bit more generous, while usually I would cut at 1°; however of course the closer the midpoint, the more noteable it might be.
there are of course other ways that can make a direct midpoint potent, despite maybe not being in a very very small orb, for example if the planets that are creating the midpoint are in aspect to each other, or if they are angular in the chart, etc. stuff like that you know?
Planets that are prominent in a natal chart anyway, will carry this prominence to their midpoint pictures, too of course.
To name some other astrologers; Robert Blashke also only used direct midpoints; Ema Kurent also specifically mentions direct midpoints (astrologyrestored.com/2015/07/25/times-of-change-and-how-to-predict-them-by-ema-kurent/)
- btw a wonderful article I have to still apply to my own life.
David Cochrane also extensively uses or mentions direct midpoints.
Esp. in the case of Cochrane and Blashke, there is a particular reason they always refer to direct midpoints, because it is only the direct midpoints that happen as a result of symmetrical aspectfigures like Grand trine, minor triangle, Kite, T-square, Grand Cross, Yod etc. with tight orbs, and of course also strenghten the aspectfigure, and indicating a lot how the energy flows or is going to be expressed; some might even have several midpoint pictures. Of course that only happens if the orbs are reasonably tight; but this "focus of energy" - I imagine midpoint-pictures like a laserbeam - might explain why some aspect figures seem to be really on fire, while others seem to be more of the lazy kind, and manifest more gradually, instead of all corners being activated simultaneously.
-----------------------------------
Anyway a long sermon again, but I wanted to share my views and thoughts on these midpoints.
And (despite it being hard for me to ignore all the nice squares to midpoints) want to focus on direct midpoints in my chart, and curious about your direct midpoints (and if they are happening between planets that are in aspect).
BTW I know midpoint astrologers usually treat ASC-DESC as an axis and MC-IC as well and do not differentiate, but if I focus on direct midpoints, the difference might become important.
Because astro.com will show you something like
Venus square Pluto/MC, which looks like an indirect midpoint, however at the same time this is also a direct midpoint, as Venus will be conjunct or opposite Pluto/IC, and therefore more identified with the IC-part of the personality.
I think this DOES make a difference!
For example in my own chart I have:
Sun square Saturn/ASC
But it really means that
Sun opposes Saturn/DESC
this figure seems to be more indicative of my form of relating than really expressing myself in a ME-ME sense
DESC is on 7 Gemini
Saturn on 17 Cancer
Sun on 26 Sag
The midpoint between 7 Gemini and 17 Cancer is: 27 Gemini, and hence opposing my Sun
In my case this is emphasizing an underlying 9th harmonic pattern, as
Saturn novile DESC
Saturn quadranovile Sun
DESC quadranovile Sun
- in a second step I think this might also be explaining subtle differences in how midpoints are manifesting. If there is an aspect figure underlying it (that always means a certain harmonic is emphasized), the midpoint picture might reflect that harmonic.
So a Sun = Saturn/DESC resonating with a 3rd or 9th harmonic might be inherently more "pleasant", but maybe also calmer and more at ease, than if the the midpoint picture was created because of the existence of a T-square, like in P`s case actually; he has the complementing picture of
Sun = Saturn/ASC
But in his case it is a 4th harmonic pattern, a T-square, as
Saturn opposes ASC, both are squaring Sun
(that Sun is on the MC even), well what can I say? The man is a workaholic!
Just a few thoughts...
I know we`ve probably all heard to use conjunction, opposition, square (and sometimes semisquare and sesisquare) with midpoints. And they may ALL be fitting. (for example I have Moon square Mercury/Pluto and Venus square Sun/Saturn - and yes I definitely think I feel it).
However if we are thinking a bit more closely about it, squares in this model are not real midpoints - they are aspects to midpoints, or actually some form of watered down midpoint themselves, as they are at the midpoint of a midpoint axis.
Confused?
What I mean is this.
in a circle there are always two midpoints, the near and the far one.
For my Sun on 26 Sagittarius and Saturn on 17 Cancer
the near midpoint: 6 Libra
the far midpoint: 6 Aries
my Venus is on 6 Capricorn, hence Venus is squaring the midpoint of my Sun/Saturn, and at the same time at the midpoint of that Sun/Saturn-axis (from 6 Libra-6 Aries) herself.
HOwever that is already like the 2nd level of midpoints already, and with the square to the original midpoint, even though these aspects are usually treated equal, I am doubtful they are. I mean a conjunction is NOT the same as a square, right? And if we have an aspect to a midpoint by square, that might have a bit of a different meaning (maybe instead of a sense of fusion, you feel like your being hit sideways by someone else`s planet; there is potentially more tension inherent in this, which does not need to be a bad thing.)
I disgress though, as I rather want to talk about direct midpoints; these are the ones made by conjunction or opposition (the near and far midpoints), and frankly the only REAL midpoints between planet, at least real direct midpoints.
Most astrologers claim that direct midpoints are "more meaningful" (I think they mean, they are more "noteable" ) than indirect ones (if there are squares and esp. semisquares or sesisquare to a midpoint).
Robert Hand in his book on astrology symbols was recommending to use at least the direct midpoints for a chart analysis, as they are "just as meaningful/potent as major aspects".
He uses the same orb as I like to do with direct midpoints which made me happy to see. lol
1,5° - in the case of direct midpoints I am a bit more generous, while usually I would cut at 1°; however of course the closer the midpoint, the more noteable it might be.
there are of course other ways that can make a direct midpoint potent, despite maybe not being in a very very small orb, for example if the planets that are creating the midpoint are in aspect to each other, or if they are angular in the chart, etc. stuff like that you know?
Planets that are prominent in a natal chart anyway, will carry this prominence to their midpoint pictures, too of course.
To name some other astrologers; Robert Blashke also only used direct midpoints; Ema Kurent also specifically mentions direct midpoints (astrologyrestored.com/2015/07/25/times-of-change-and-how-to-predict-them-by-ema-kurent/)
- btw a wonderful article I have to still apply to my own life.
David Cochrane also extensively uses or mentions direct midpoints.
Esp. in the case of Cochrane and Blashke, there is a particular reason they always refer to direct midpoints, because it is only the direct midpoints that happen as a result of symmetrical aspectfigures like Grand trine, minor triangle, Kite, T-square, Grand Cross, Yod etc. with tight orbs, and of course also strenghten the aspectfigure, and indicating a lot how the energy flows or is going to be expressed; some might even have several midpoint pictures. Of course that only happens if the orbs are reasonably tight; but this "focus of energy" - I imagine midpoint-pictures like a laserbeam - might explain why some aspect figures seem to be really on fire, while others seem to be more of the lazy kind, and manifest more gradually, instead of all corners being activated simultaneously.
-----------------------------------
Anyway a long sermon again, but I wanted to share my views and thoughts on these midpoints.
And (despite it being hard for me to ignore all the nice squares to midpoints) want to focus on direct midpoints in my chart, and curious about your direct midpoints (and if they are happening between planets that are in aspect).
BTW I know midpoint astrologers usually treat ASC-DESC as an axis and MC-IC as well and do not differentiate, but if I focus on direct midpoints, the difference might become important.
Because astro.com will show you something like
Venus square Pluto/MC, which looks like an indirect midpoint, however at the same time this is also a direct midpoint, as Venus will be conjunct or opposite Pluto/IC, and therefore more identified with the IC-part of the personality.
I think this DOES make a difference!
For example in my own chart I have:
Sun square Saturn/ASC
But it really means that
Sun opposes Saturn/DESC
this figure seems to be more indicative of my form of relating than really expressing myself in a ME-ME sense
DESC is on 7 Gemini
Saturn on 17 Cancer
Sun on 26 Sag
The midpoint between 7 Gemini and 17 Cancer is: 27 Gemini, and hence opposing my Sun
In my case this is emphasizing an underlying 9th harmonic pattern, as
Saturn novile DESC
Saturn quadranovile Sun
DESC quadranovile Sun
- in a second step I think this might also be explaining subtle differences in how midpoints are manifesting. If there is an aspect figure underlying it (that always means a certain harmonic is emphasized), the midpoint picture might reflect that harmonic.
So a Sun = Saturn/DESC resonating with a 3rd or 9th harmonic might be inherently more "pleasant", but maybe also calmer and more at ease, than if the the midpoint picture was created because of the existence of a T-square, like in P`s case actually; he has the complementing picture of
Sun = Saturn/ASC
But in his case it is a 4th harmonic pattern, a T-square, as
Saturn opposes ASC, both are squaring Sun
(that Sun is on the MC even), well what can I say? The man is a workaholic!
Just a few thoughts...